![]() These inverted chords can have third, fifth or seventh in the bass. Drop 2-4 voicings : The second highest note and the fourth note are dropped to the bass.Įach drop chord can be inverted giving us more chord positions.Drop 3 voicing : The third highest note of is dropped to the bass.Drop 2 voicing : The second highest note of a seventh chord in close position is dropped to the bass.The root note at the tenth fret the you obtain a D7.Ī chord voicing is the way the notes of a chord are organized. For example, by playing this shape with the root note at the seventh fret you get a B7. You can play it the key you want providing that you know the name of the root. The two shapes below show how to play an A7 chord (dominant seventh). The root will determine the tonality of the chord. Meaning that you can play them anywhere on the guitar neck while keeping the same position. This note gives the name to the chord.ĩ5 percent of the chord shapes shown in the lessons below are movable. The root note (R) is represented by a red (or orange) circle. The numbers below or on the left represent the fret number. The black cross (X) means that the string should not be played. 1 for index, 2 for middle finger, 3 ring finger, 4 little finger. Sometimes the fingers used to fret the notes are represented by a number related to each finger next to each string. They represent the guitar neck with the position and the name of the chord tones. They can be presented in two ways, horizontally and vertically. Guitar chord diagrams, or guitar chord shapes are used to help visualize the chord positions on the guitar neck. Some of these notes can be altered to bring tension and harmonic interest giving altered chords with weird and long names as 7#9, 7#5, 7 b9 b13, Maj7#11, some of them are simply noted with the "alt" extension.Īnd what about triads? Triads don't have what we call a "jazz sound", they are not very interesting except when they are superimposed to basic chords in order to add extensions. These supplementary tones are used to add interesting colors to basic chords thus giving number of possibilities as min9, maj9, dom9, min11, maj11, dom11, min13, maj13, dom13, 6/9 etc. Seventh chords are generally enriched with extra notes above the octave as the ninth (9), eleventh (11) and thirteenth (13). Sixth chords can also be used in place of seventh chords, the main types are minor 6 (1 - b3 - 5 - 6) and major 6 (1 - 3 - 5 - 6). Seventh chords are the most used used in jazz music, they are the backbone of jazz harmony. They are built with four notes (root, third, fifth and seventh) and can be classified into several types : Triads, seventh chords, extended chords, drop 2 voicings, drop 3 voicings, close and open positions are discussed in detail. You will find here tons of information about the most common to the most complex jazz guitar chord positions and voicings used in jazz music.Įach page (links at the bottom of this category) is dedicated to a specific type of chord including guitar shapes, formula charts and theory lessons. Welcome in the jazz chord section of Jazz Guitar
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